Orchestral Tools – Berlin Brass EXP C SFX French H. Brass Ensemble: The sound of 32-piece brass orchestra 5 NKIs. Berlin Brass follows a whole new approach, which was developed over years of experimentation to achieve the next level of flexibility and realism. Recorded at the famous Teldex Scoring Stage, this Collection combines definition with true power. With Berlin Brass we deliver the first class Brass Collection that completes your Berlin Orchestra. The Berlin original, which inspired us to preserve all our strength, grandeur and bold exclusivity in a monumental powerful collection, to return it to the latest cinematic soundtracks.
#Metropolis ark 1 and albion one movie#
Combine it with Metropolis Ark 2, if you want to add a dark, quiet contrast to your palette.METROPOLIS ARK 1 inspired by cinematic monument of 1927 – the first ever epic sci-fi movie of our time. You won't find any dynamic lower than mf in Ark 1, but it will give you that powerful, epic sound. Of course, Inspire has the Teldex sound that you mentioned you loved in the opening post but if you want that sound in an epic orchestra, then Orchestral Tools Metropolis Ark 1 may be a better bet.
The big epic mockups are the ones are needed, as we can't afford a session with the local Philharmonic.īetween Albion One to Berlin Orchestra Inspire 1, I think most users would agree that Albion One is the more epic sounding of the two. I'm sure that there is no point for libraries with solo instruments, as we're surrounded friends and colleagues that play violin, cello, trumpet and so on very well.
#Metropolis ark 1 and albion one update#
I have to update that my budget has lifted, so I'm in the point of deciding between Albion One to Berlin Orchestra Inspire 1. With great love of course, so that's what I'm looking for in our second album. Our first album that was done before I got my place in the band pretty relied on Symphonic sound, so I'm kinda obligated to that. Now, I also do mockups and arranging for actual symphonic work (TV themes and beds for commercials), if I'm not playing live or working with a group as a band member, I'll use anything.Īctually we do a "Modern-Classic" Prog which does not rely mostly on Mellotrons, we're more a Symphonic-eclectic-Prog
You play them like a keyboard, and they can fill the role of symphonic instruments while still screaming "I'm a keyboard!" It's taken me a while to really latch onto that (of all things, it was a guitarist buddy who really sold me on the idea), but I've really come around. I use G-Force Mellotrons whenever I can get away with it.
Classic prog used all these wonderfully unrealistic symphonic sounds, and they feel comfortable because they don't feel like they're trying to copy anyone else. Don't get me wrong, I use EWQL and many Kontakt "realistic" instruments, but they come at a cost, you cease to be a keyboard player, and more a producer, a behind the scenes arranger. I love big symphonic stuff, but often times the best is with instruments that provide the same epic flavor, but while being decidedly keyboard. In some ways, more realistic isn't the best approach. I'm a prog guy, and that's often the thing I reach for first. If you're doing classic prog, your first stop, really, should be a mellotron or string machine.
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